1970-02-19
KQED, San Francisco, California, USA
Solo
Show rarity = 40.93
| # |
Song |
Instrument |
Arr. |
Song
Plays |
Bust
Gap |
Inst
% |
Arr
% |
W
Inst |
W
Arr |
W
Plays |
W
Debut |
W
Bust |
W
Unrel |
Perf
Score |
| 1 |
Everybody Knows This Is Nowhere
| acoustic guitar | Solo | 315 | 24 | 10.16 | 9.52 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 2 |
Everybody's Alone
| acoustic guitar | Solo | 6 | 23 | 100.00 | 100.00 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 3 |
Dance, Dance, Dance
| acoustic guitar | Solo | 133 | 23 | 23.31 | 48.87 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 4 |
On The Way Home
| acoustic guitar | Solo | 230 | 0 | 87.83 | 61.74 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 5 |
Wonderin'
| acoustic guitar | Solo | 58 | 24 | 10.34 | 10.34 | 0.000 | 0.000 | 0 | 0 | 0 | 1 | 1.000 |
| 6 |
Wonderin'
| acoustic guitar | Solo | 58 | 24 | 10.34 | 10.34 | 0.000 | 0.000 | 0 | 0 | 0 | 1 | 1.000 |
| 7 |
Instrumental
| acoustic guitar | Solo | 1 | 0 | 100.00 | 100.00 | 0.000 | 0.000 | 7 | 1 | 0 | 0 | 8.000 |
| 8 |
Sugar Mountain
| acoustic guitar | Solo | 467 | 86 | 94.22 | 98.07 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
×
How Rarity Is Determined
Song score — 6 factors
- Instrument rarity: instrument used at less than 5% of performances [0–4 score]
- Solo vs band rarity: performed solo vs band (or vice-versa) at less than 5% [0–4 score]
- Rarely played: performed 5 or less total times [1, 2, 3, 4, 8 score]
- Unreleased: unreleased at the time [+1]; still unreleased [+2]
- Debut: career debuts are identified [+1]
- Bust-out: greater than 300 shows between performances [0–4 score]
Show score — 2 factors
- Songs: score based on the number and degree of song rarities
- Setlist uniqueness: an added score for the degree of setlist uniqueness (order not considered)
Exclusions
- Excludes songs where Neil is only a contributor (e.g., “Wooden Ships,” “For What It’s Worth,” Lukas Nelson songs, etc.)
- Only shows with 5 or more Neil contributing songs are counted
- The Bob Dylan & Pegi Young tours are not considered
Notes
- This is just an exercise to see if an algorithm can match what recording collectors have considered the most sought-after shows.
- Song scores of 3 and below don't appear to be very useful by themselves.
- The most important attribute of all — performance quality — isn’t factored in at all.
If you have any additions, corrections or comments please feel free to contact me.