“When You Dance” is a funky record. Me and Billy and Ralph and Danny and Jack. They were all crazy. Jack plays great—I was pushing him. A lotta leakage, boy. That’s a unique take, ’cause that’s the only take ever done in the studio by the Horse with Jack playing. That group actually didn’t work as well as I would’ve liked. It was nice havin’ Jack with us, but some of the stuff, he was in the way tonally. Crazy Horse was so good with the two guitars, bass and drums it didn’t need anything else. “When You Dance” is probably the last record with Danny that we played together on. That was done near the end of the sessions. When I did all the other stuff, Danny wasn’t on it—Nils, Ralph and I did the singing. Stills came up and sang, but I didn’t like those vocals, so I redid them all with Danny. Danny kinda got himself together, did the overdubs … He wasn’t lookin’ too good at that point. JM: Who inspired all the dancing-women songs? I don’t know … I remember this one girl, Jean “Monte” Ray—she was the singing partner of Jim, Jim and Jean, a folk duo. Had a record out called “People World,” and she did a lot of dancing with finger cymbals. She was really great. Might’ve been her. Good chance. I kinda had a crush on her for a while. Moved nice. She was real musical, soulful. JM: So is she the Cinnamon Girl? Only part of the song. There’s images in there that have to do with Jean and there’s images that have to do with other people. Neil Young "Shakey" by Jimmy McDonough 2002