NY: I'm trying to make records of the quality of the records that were made in the late Fifties and the Sixties, like Everly Brothers records and Roy Orbison records and things like that. They were all done with a sort of quality to them. They were done at once. They were done in Nashville.... :It doesn't matter where you do it. Nashville, it happened to be done there. Could be done anywhere. It's just a quality about them, the singer is into the song and the musicians were playing with the singer and it was an entity, you know. It was something special that used to hit me all the time, that all these people were thinking the same thing, and they're all playing at the same time. EB: Like the early Beatles. NY:Yeah, yeah, right. That's what I'm tryin' to get. That's what I want to get, on this next album. I started approaching getting it on the last album, on Everybody Knows This Is Nowhere. It happens on a few cuts, you can hear it. It's there all the time.... EB: Which cuts would you say? NY:Uh, I think "Cinnamon Girl," uh, "Everybody Knows This Is Nowhere," and, uh, "Round And Round" has that feeling of togetherness, although it was just Danny [Whitten] and me and Robin Lane. Neil Young Rolling Stone by Elliot Blinder April 20, 1970