(in response to a request for Southern Man) I have to tell you a story about Southern Man. I was at the Oakland Coliseum. I was playing away. I was having a pretty mediocre time actually. It wasn't that hot you know. Show number fifty-eight. We were all tired. The band wasn't right in the first place. It was one of those things you know. By the time we got there - Southern Man - everybody, every night would yell "Southern Man, Southern Man". I could dig it you know. It was nice. But I went to sing it. And I was singing away and I started off...and by then you know I sang it with Crosby, Stills & Nash and I sang it by myself and I was singing it with these guys. By then I was starting to sort of feel like a Wurlitzer. Even though I really believed the song, where I was at, where I wrote it and everything. But anyway, I was singing away, "Southern Man better keep your head, don't forget what the good book...". This guy in the front row as far away as me and you. He jumped up, "right on, right on, I love it". He felt really good I could tell. All of a sudden this, this black cop just walked up to him - it just was the scene, the way it looked to me - and he just crunched him. And I just took my guitar off and put it on the ground and got in the car and went home. A lot of those people couldn't understand it because they couldn't see from the other end. They thought I had just freaked out or something. But something about it - and ever since then I've never sung the song. I don't know why. I don't know. I sang it a lot. I sang it every night for a long time and I really - that's the story anyways. I couldn't do it. I don't feel it right now. Neil Young May 16, 1974 The Bottom Line, New York City

Those girls always get jealous when you're working on something with great intensity. Susan, who was a lot older than me, was very jealous. One morning, I got up early to work on 'Southern Man' in the studio, she threw breakfast against the door. When I opened the door to see what was going on, she threw the coffee at me. Neil Young Muziekkrant Oor/Constant Meijers September 26, 1974

This song could have been written on a civil rights march after stopping off to watch "Gone With The Wind" at a local theatre. But I wasn't there so I don't know for sure. Actually I think I wrote it in the Fillmore East dressing room in 1970. Neil Young Decade liner notes 1977

JM: Are you preaching in “Southern Man”? No. I’m warning. Warning. “Southern Man” was an angry song. I wrote “Southern Man” in my studio in Topanga. Susan was angry at me for some reason, throwing things. They were crashing against the door ’cause I was down there doin’ I don’t know what the fuck. We fought a lot. There’s some reason for it, I’m sure. It was probably my fault … everybody can relate to that. “Southern Man” was more than the South—I think the civil rights movement was sorta what that was about. The far North and the deep South are not very different. They’re extremes. Look at Robbie Robertson—an Indian from Canada who wrote a lot about the deep South. I’m sure it’s the same kinda thing. Southerners, northerners, they’re extremists. I mean, look at the people who live up in Canada. And look at the people who live in the deep South. They’re out there. I love Canada, with the hockey games and the fuckin’ spirit—everybody gets so fuckin’ into it. It’s so real. And there’s that real family thing about the South—everybody gets together and has barbecues, ya know what I mean? “Southern Man” is a strange song. I don’t sing it anymore. I don’t feel like it’s particularly relevant. It’s not “Southern Man”—it’s “White Man.” Heh heh. It’s much bigger than “Southern Man.” Neil Young "Shakey" by Jimmy McDonough 2002