There are a lot of science fiction overtones, time travel overtones, in Misfits at different places geographically, it could all have been happening at exactly the same time. All of the scenes in that song could have been happening simultaneously, and yet they're also separate. It's an interesting thing.... I dunno, it only took me a few minutes to write it. I picked up my electric guitar one night in the studio, I was by myself and I turned it up real loud and started playing and, I wrote it just that night. Just got into it. Jotted it down on a piece of paper. I try not to think about the songs that I write, I just try to write them. And I try not to edit them, because I think editing is a form of, ah..., I know there's a source where the music comes through you and words come through you, and editing is really, uh, something you do to something that you've thought about. If you think about it and you try to put it down, then you can edit it. If you're not thinking about it, you just open up and let it come through you, then editing it is... you're really taking a lot of, what's the word, ah, a lotta liberties by editing. Neil Young Melody Maker/Adam Sweeting September 7, 1985

This one's for you called Dakota. I like to throw in these new ones every once in a while. Neil Young Entertainment Centre, Perth, Western Australia, Australia March 1, 1985